At the end of the play, the ghost of Da follows Charlie out of the house, singing an old song as he goes. Da is essentially a play about Charlie’s need to grapple with his relationship with Da, whom he both loved and hated. Act 2 begins with Charlie and the Young Charlie talking in the kitchen with the ghost of Da. In a memory scene, Charlie, at age thirty, is being like this criticized by Drumm, for whom he has been working thirteen years. In the present time, Charlie talks with Da about how he treated his father in old age, after his mother died. Charlie first put Da, who was becoming senile, in a home for the elderly, which Da refers to as “the poorhouse,” and then, after Da punched a nurse, Charlie puts him in a private room of a psychiatric hospital.

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In both the play and the movie, Charlie cannot escape who he is, who his father was, or what his early life was like. The play shows this life and relationships to be a bit more harsh and unyielding. From Oliver to Da to other characters, Charlie has a much harder time in the play than he does in the movie. In the film, Charlie seems to have a better sense of himself. While understanding who the difficult Da was is still very important to Charlie and the audience, the film gives Charlie his own life, too. Though Oliver plays a key role in the play, it is only after he leaves that Da appears.

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As long as this situation is unresolved, the natural love between father and son is unable to flow, like water in a dammed up river. This situation also means that Charlie is a man haunted by memories who must carry the ghost of his father around with him indefinitely. Burning all the mementos his father left behind, as Charlie does in an attempt to eradicate him, accomplishes nothing.

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Although he has invited his parents to his wedding, they claim they don’t want to travel that far. Charlie is eager to get away from them and on with his life. In his senility, Da thinks that Charlie is his wife’s father and reenacts the scene in which he asked her father for permission to marry her, knowing that she would not go against her father’s wishes. Now middle-aged and living in London, successful writer Charlie Tynan returns home to Dublin after the death of his adopted father, Da, to get to grips with their beguiling and maddening relationship.

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When Drumm arrives, Charlie is embarrassed by his father’s displays of ignorance and his crude language and by his mother’s explanation of his adoption. In embarrassment, Charlie leaves the house, but Drumm follows him outside and, as the two walk, he agrees to offer Charlie a job as a clerk. The DA’s education programme, “Preparing for Success”, focuses on providing adequate physical and human resources to underperforming schools.